Someone pointed out that people only appear in my photographs in the bottom right of the frame. I hadn't noticed that. I don't really like taking pictures of people. Probably because I don't like it when people take pictures of me. I shoot with my left eye, and seem to use the figures of people as markers on a map.
Or maybe I get it from my (right-eyed) father, who took the photograph above. I must have always had a long-distance stare. I'm drawn to the horizon, perhaps guided by the compass of others, who gaze quietly at it too. It could be that I want to see what they see, instead of seeing or being seen by them.
This is a picture of a dear friend of mine. I stole it in Kerry last weekend. He rings, at unpredictable intervals and short notice, to invite me on outings. Whenever I can go, we head out of town to climb a hill or walk along a shore. He twinkles when he listens, so I chatter, giddy in the passenger seat of his car. We run out of town-talk by the time the countryside quietens me, so we listen to the radio. When I was a child, I used to think that the radio was the engine and the driver of the car, and would imagine that it was driving me too, outside, moving me across the landscape on the same frequency, over telephone poles and trees.
I still imagine this in my friend's car, but the sense of freedom is no longer a joy. The false horizon - the nation that encloses this landscape - has snapped and sent us skywards. It has been two years now, of trying to change while waiting for change, never knowing which will come first, or if they will cancel each other out. The horizon toward which we speed is no longer ours. We often see and hear joyful things, my friend and I - a hare on the mountain, the first cuckoo - but all they provoke are straining wishes. I want to stop, just for a while, to lie in a summer meadow and watch the clouds pass by. I wish our work was worth more than worry. I wish I was in love with him.
Then I read an account of a recent hill-running race. The straining of will and muscle sounded excruciating, and made me think of horses on the Central Asian steppes. When they bolt they find no fences between them and the horizon, so they run and run until they drop dead of exhaustion. They think there is an end, but there is not. Vertices are kinder than the elusive horizon, however hard they are to scale. The writer describes the particular agony of racing up- and down- hill on a clear day, when he could see far ahead of him and thought there was no end -
but there is.
"For whatever reason, you don’t stop. My theory on this is that defeat hurts more and for a lot longer than physical pain. Your mind knows it too and by flogging you to your limit it is protecting you from the abject despair that goes with giving up."
So this will be my last wistful post (for a while, anyway). Tomorrow or the day after I will write up my work properly, post it here, and just keep going. (Thanks Brian :))








